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| dc.contributor.author | Lovell-Smith, Rosemary | en |
| dc.date.accessioned | 2012-03-29T19:14:30Z | en |
| dc.date.issued | 2006 | en |
| dc.identifier.citation | CREArTA: Imagining childhood 6(Special issue):179-189 2006 | en |
| dc.identifier.issn | 1443-5373 | en |
| dc.identifier.uri | http://hdl.handle.net/2292/15954 | en |
| dc.description.abstract | In Imagination and the Arts in C. S. Lewis (2002) Peter J. Schakel, a long-time Lewis devotee, dedicates a whole chapter to Lewis's interest in 'Art, Architecture and Clothing.' Mustering such evidence as there is in the life and the works, Schakel does not really succeed in showing Lewis to have been more than a mediocre follower of these arts. However, he makes one point with which I am strongly in sympathy: 'The most important uses of art in the Chronicles occur in The Voyage of the Dawn Treader.' .... | en |
| dc.publisher | Centre for Research in Education and the Arts, University of Technology, Sydney | en |
| dc.relation.ispartofseries | CREArTA: Imagining childhood | en |
| dc.rights | Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. | en |
| dc.rights.uri | https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm | en |
| dc.title | The power of pictures: C.S. Lewis, Pauline Baynes and The voyage of the Dawn Treader | en |
| dc.type | Journal Article | en |
| pubs.issue | Special issue | en |
| pubs.begin-page | 179 | en |
| pubs.volume | 6 | en |
| dc.rights.holder | Copyright: Centre for Research in Education and the Arts, University of Technology, Sydney | en |
| pubs.end-page | 189 | en |
| dc.rights.accessrights | http://purl.org/eprint/accessRights/RestrictedAccess | en |
| pubs.subtype | Article | en |
| pubs.elements-id | 101388 | en |
| pubs.record-created-at-source-date | 2010-09-01 | en |
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