Contingency, Order and the Modular Narrative: "21 Grams" and "Irreversible".

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dc.contributor.author Cameron, Allan en
dc.date.accessioned 2012-03-29T19:33:22Z en
dc.date.issued 2006 en
dc.identifier.citation The Velvet Light Trap 65-78 2006 en
dc.identifier.issn 0149-1830 en
dc.identifier.uri http://hdl.handle.net/2292/16082 en
dc.description.abstract A number of contemporary "modular narrative" films display, as a central stylistic and thematic concern, a fraught relationship between contingency and narrative order. This tendency finds particularly strong expression in two recent examples: 2! Grams (Alejandro Gonzalez Inarritu, 2003) and Irreversible {Caspar Noe, 2002). en
dc.publisher University of Texas Press en
dc.relation.ispartofseries Velvet Light Trap en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. Details obtained from http://www.sherpa.ac.uk/romeo/issn/0149-1830/ en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title Contingency, Order and the Modular Narrative: "21 Grams" and "Irreversible". en
dc.type Journal Article en
pubs.issue 58 en
pubs.begin-page 65 en
pubs.volume 58 en
dc.rights.holder Copyright: University of Texas Press en
pubs.author-url http://128.220.160.198/journals/the_velvet_light/58.1cameron.pdf en
pubs.end-page 78 en
pubs.publication-status Published en
dc.rights.accessrights http://purl.org/eprint/accessRights/RestrictedAccess en
pubs.subtype Article en
pubs.elements-id 174596 en
pubs.org-id Arts en
pubs.org-id Social Sciences en
pubs.org-id Media and Communication en
pubs.record-created-at-source-date 2010-11-11 en


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