dc.contributor.author |
Cameron, Allan |
en |
dc.date.accessioned |
2012-03-29T19:33:22Z |
en |
dc.date.issued |
2006 |
en |
dc.identifier.citation |
The Velvet Light Trap 65-78 2006 |
en |
dc.identifier.issn |
0149-1830 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/16082 |
en |
dc.description.abstract |
A number of contemporary "modular narrative" films display, as a central stylistic and thematic concern, a fraught relationship between contingency and narrative order. This tendency finds particularly strong expression in two recent examples: 2! Grams (Alejandro Gonzalez Inarritu, 2003) and Irreversible {Caspar Noe, 2002). |
en |
dc.publisher |
University of Texas Press |
en |
dc.relation.ispartofseries |
Velvet Light Trap |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.
Details obtained from http://www.sherpa.ac.uk/romeo/issn/0149-1830/ |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Contingency, Order and the Modular Narrative: "21 Grams" and "Irreversible". |
en |
dc.type |
Journal Article |
en |
pubs.issue |
58 |
en |
pubs.begin-page |
65 |
en |
pubs.volume |
58 |
en |
dc.rights.holder |
Copyright: University of Texas Press |
en |
pubs.author-url |
http://128.220.160.198/journals/the_velvet_light/58.1cameron.pdf |
en |
pubs.end-page |
78 |
en |
pubs.publication-status |
Published |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.subtype |
Article |
en |
pubs.elements-id |
174596 |
en |
pubs.org-id |
Arts |
en |
pubs.org-id |
Social Sciences |
en |
pubs.org-id |
Media and Communication |
en |
pubs.record-created-at-source-date |
2010-11-11 |
en |