dc.contributor.author |
Koo, Sun |
en |
dc.date.accessioned |
2012-04-15T23:22:49Z |
en |
dc.date.issued |
2011 |
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dc.identifier.citation |
Perspectives on Korean Music. 69-87. 2011 |
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dc.identifier.uri |
http://hdl.handle.net/2292/17199 |
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dc.description.abstract |
In 1959, Kim Jin (1926–2007) premiered his gayageum sanjo in Yanji, the capital city of the Yanbian Korean Autonomous Prefecture, more simply known as Yanbian. Kim Jin had just returned from North Korea after four years of gayageum study under An Gi-Ok (1894–1974), a sanjo master who himself had been the student of Kim Chang-Jo (1856–1919), said to be the founder of gayageum sanjo in Korea. Despite Kim Jin’s enthusiasm, his sanjo was not favorably received by the Chinese Korean community in Yanbian, and he subsequently stopped performing sanjo live in any concert setting, instead devoting himself to teaching gayageum sanjo as a member of the music faculty at the Yanbian Arts School, the only higher educational institution for Korean performing arts in China. |
en |
dc.relation.ispartof |
Perspectives on Korean music |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
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dc.title |
Why art music? Status and adaptation of Sanjo in Yanbian Korean autonomous prefecture in the People’s Republic of China |
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dc.type |
Book Item |
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pubs.begin-page |
69 |
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pubs.volume |
2 |
en |
pubs.author-url |
http://www.ashgate.com/isbn/9780754657293 |
en |
pubs.end-page |
87 |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.elements-id |
326363 |
en |
pubs.org-id |
Arts |
en |
pubs.org-id |
Social Sciences |
en |
pubs.org-id |
Anthropology |
en |
pubs.record-created-at-source-date |
2012-03-18 |
en |