dc.contributor.advisor |
Elmsly, J |
en |
dc.contributor.advisor |
Robinson, E |
en |
dc.contributor.author |
Tu, Chih-Lin |
en |
dc.date.accessioned |
2013-01-24T01:58:22Z |
en |
dc.date.issued |
2012 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/19940 |
en |
dc.description |
Full text is available to authenticated members of The University of Auckland only. |
en |
dc.description.abstract |
I’ve approached my composition this year were by continuing to explore 20th Century music,
especially in composition workshops with their discussion and chance to hear the opinions of my
teachers and contemporaries. I discovered many new ideas through reading several analysis books
which influenced my composition. I also found helpful musical ideas in innovative pieces such as:
“Passacaglia” (John Elmsly), “The liquid drift of Light” (Eve-de-Castro), “Spiegel im Spiegel” (Arvo
Pärt) and “The People united will never be defeated” (Frederic Rzewski). Particularly important was
the unconventional, yet tonal, harmonic language appearing in these works.
I have composed three pieces for this portfolio and these are accompanied by methodological
explanations. I decided, after discussion with my supervisors, to compose: an extended keyboard work
for piano; a Trio for clarinet, violoncello and piano; a piece for full orchestra.
The commentaries examine my compositions in detail with reference to their inspiration,
construction and overall shape. There is a detailed description for each of the three works together with
musical examples. These musical examples are used to explain more clearly, the methods used in the
construction of the piece.--Pref |
en |
dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.ispartof |
Masters Thesis - University of Auckland |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights |
Restricted Item. Available to authenticated members of The University of Auckland. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-sa/3.0/nz/ |
en |
dc.title |
Music Composition Portfolio |
en |
dc.type |
Thesis |
en |
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Masters |
en |
dc.rights.holder |
Copyright: The Author |
en |
pubs.elements-id |
372249 |
en |
pubs.record-created-at-source-date |
2013-01-24 |
en |
dc.identifier.wikidata |
Q112891818 |
|