dc.contributor.advisor |
Montgomerie, Deborah |
en |
dc.contributor.advisor |
Dalziel, Raewyn |
en |
dc.contributor.author |
Hilliard, Chris |
en |
dc.date.accessioned |
2007-11-22T01:22:17Z |
en |
dc.date.available |
2007-11-22T01:22:17Z |
en |
dc.date.issued |
1997 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/2125 |
en |
dc.description.abstract |
This is a study of the writing of New Zealand history between 1920 and 1940. Its
principal themes are differing practices of history and the ways in which these
practices intersected with the problems of what Peter Gibbons has called 'cultural
colonisation'. Those problems concern the construction of 'New Zealand' on Pakeha
terms in ways that range from the appropriation of Maori culture to conflations of
'New Zealand' with 'Pakeha'.
The first chapter examines general and theoretical problems. Each of the five
following chapters discusses a different historian, community of historians, or
historiographical project. Chapter two discusses the work of local historians. Chapter
three deals with the work of James Cowan, who argued that conflict and compact
between Maori and Pakeha lay at the heart of New Zealand history. The thesis then
moves on to the work of a group of Wellington historians whose endeavours to
collect source material were replicated in their texts. Two of the most significant
works produced in this milieu, G. H. Scholefield's A Dictionary of New Zealand
Biography and T. Lindsay Buick's The Treaty of Waitangi, are discussed at some length.
Chapter five concerns the writing of New Zealand history in universities, in
particular the genre of the general history and the treatment of New Zealand history
as it related to British, colonial policy. Finally, the thesis discusses the popular
histories written for the New Zealand Centennial in 1940. These 'Centennial surveys'
combined elements of academic and local histories. They illustrate the increasing
cultural authority of academics and graduates in historiographical circles and in
state-sponsored cultural work. They also show that this development was resisted
by other historians. The final chapter takes stock of the changes associated with the
growth of academic history, and examines their effect on the problems of 'cultural
colonisation'. |
en |
dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.isreferencedby |
UoA666681 |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Island stories : the writing of New Zealand history, 1920-1940 |
en |
dc.type |
Thesis |
en |
thesis.degree.discipline |
History |
en |
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Masters |
en |
thesis.degree.name |
Master of Arts |
en |
dc.subject.marsden |
Fields of Research::430000 History and Archaeology::430100 Historical Studies::430101 History: New Zealand |
en |
dc.identifier.wikidata |
Q112851990 |
|