Abstract:
Movement between hemispheres and across oceans — the north and the south, the Pacific and the Atlantic — as well as what is carried between poles, has been formative in shaping New Zealand’s history and culture, both through the achievements of self-imposed cultural exiles and through those who have returned to share and disseminate their knowledge and experience on these shores mixing and blending it with knowledge of this place. In this writing I consider the continuing influence of European tanztheatre in Aotearoa, New Zealand, through a series of movement forms and patterns learnt in the studio of Shona Dunlop MacTavish. In discovering my body-as-archive through a line of descent that tracks flight paths between Vienna, Sydney, Dunedin, London, and Auckland, I am interested in exploring the transmigration of an embodied legacy of ausdruckstanz. As the manifestation of a diasporic culture (the exodus of Central European Jewish artists and intellectuals from Europe before the Second World War), such a legacy can be seen to contribute in an ongoing way to the networks of relations, connections and dynamic patterns of flow between hemispheres, continuing to release movement potential for reimagining the present.