Visual Boredom: Commodification and Exclusion in Graffiti-Less Auckland

Kramer, Ronald

dc.contributor.author	Kramer, Ronald	en
dc.date.accessioned	2015-07-17T04:09:34Z	en
dc.date.issued	2015-05-26	en
dc.identifier.citation	Metropolitics, 2015	en
dc.identifier.uri	http://hdl.handle.net/2292/26301	en
dc.description.abstract	A common argument against neoliberalism is that it makes cities all look alike. In this piece, sociologist Ronald Kramer discusses the fate of graffiti in Auckland, New Zealand. He argues that efforts to commodify urban space, routinely promoted by landed capitalists and facilitated by the neoliberal state, have resulted in a loss of social diversity and visual ennui.	en
dc.relation.ispartofseries	Metropolitics	en
dc.rights	Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.	en
dc.rights.uri	https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm	en
dc.title	Visual Boredom: Commodification and Exclusion in Graffiti-Less Auckland	en
dc.type	Journal Article	en
pubs.author-url	http://www.metropolitiques.eu/Visual-Boredom-Commodification-and.html	en
dc.rights.accessrights	http://purl.org/eprint/accessRights/RestrictedAccess	en
pubs.subtype	Article	en
pubs.elements-id	487627	en
pubs.org-id	Arts	en
pubs.org-id	Social Sciences	en
pubs.org-id	Criminology	en
dc.identifier.eissn	2114-5350	en
pubs.record-created-at-source-date	2015-05-27	en