dc.contributor.author |
Fagan, Rachel Joyce |
en |
dc.date.accessioned |
2015-09-29T21:56:05Z |
en |
dc.date.available |
2015-09-29T21:56:05Z |
en |
dc.date.issued |
2005 |
en |
dc.identifier.citation |
Thesis (MMus--Musicology)--University of Auckland, 2005 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/27081 |
en |
dc.relation.ispartof |
Masters Thesis - University of Auckland |
en |
dc.relation.isreferencedby |
UoA21141470010002091 |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Music for three voices in sixteenth-century Germany : the Latin works in Johannes Petreius' Trium vocum cantiones centum (Nuremburg, 1541) |
en |
dc.type |
Thesis |
en |
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Masters |
en |
dc.date.updated |
2015-09-28T22:49:38Z |
en |
dc.rights.holder |
Copyright: the author |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/ClosedAccess |
en |
dc.identifier.wikidata |
Q112866839 |
|