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Show simple item record Minissale, Gregory en
dc.contributor.editor Grabbe, L en
dc.contributor.editor Rupert-Kruse, P en
dc.contributor.editor Schmitz, N en 2015-11-04T03:15:11Z en 2015 en
dc.identifier.citation In Cyborgian Images: The Moving Image between Apparatus and Body. Editors: Grabbe L, Rupert-Kruse P, Schmitz N. 1st: 164-185. Buchner-Verlag, Darmstadt 2015 en
dc.identifier.isbn 978-3-96317-102-4 en
dc.identifier.uri en
dc.description.abstract In this essay I examine how the matter, technology and psychology in- volved in producing and experiencing film come together in a process I call becoming-cyborg. Rather than stressing the semiotic, rational and mechanistic processes usually attributed to the figure of the Cyborg, becoming-cyborg involves asemiotic, open-ended, chaotic and contingent exchanges between the matter of the mind and matter outside of it. Tarkovsky's Stalker (1979) provides the opportunity to drill down further into the details of how multisensory, kinaesthetic, abstract, conceptual, technological, material and neurological entanglements sustain becoming-cyborg. en
dc.publisher Buchner-Verlag en
dc.relation.ispartof Cyborgian Images: The Moving Image between Apparatus and Body en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights.uri en
dc.title Becoming-Cyborg en
dc.type Book Item en
pubs.begin-page 164 en
dc.rights.holder Copyright: Buchner-Verlag en en
pubs.end-page 185 en Darmstadt en
pubs.publication-status Published en
dc.rights.accessrights en
pubs.elements-id 502077 en Arts en Humanities en
pubs.record-created-at-source-date 2015-10-18 en

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