Men, loss and spiritual emergency: Shakespeare, the death of Hamnet and the making of Hamlet.

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Show simple item record Bray, Peter en 2015-12-08T02:13:52Z en 2008 en
dc.identifier.citation Journal of Men, Masculinities and Spirituality, 2008, 2 (2), pp. 95 - 115 en
dc.identifier.issn 1177-2484 en
dc.identifier.uri en
dc.description.abstract How does a father manage the death of his son or his father? What might a playwright do? This article proposes that confronted with the multiple loss of his son Hamnet and subsequently his father John, William Shakespeare experienced a transformational consciousness event or “spiritual problem” (DSM IV), defined by Grof and Grof as a “spiritual emergency” (SE), which he explores through the making of his masterpiece Hamlet. The play’s central male character is a fine example of an instrumental masculine response to coping with loss. It is argued that the depiction of Hamlet’s struggle towards self knowledge can be explained in terms of Stan Grof’s model of transformation. In his play Shakespeare expresses a unique view of complicated masculine grief and loss. Through Hamlet’s soliloquies he explores and maps the terrifying terrain and rich interior world of his own psychic journey and transformation. en
dc.relation.ispartofseries Journal of Men, Masculinities and Spirituality en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights.uri en
dc.title Men, loss and spiritual emergency: Shakespeare, the death of Hamnet and the making of Hamlet. en
dc.type Journal Article en
pubs.issue 2 en
pubs.begin-page 95 en
pubs.volume 2 en en
pubs.end-page 115 en
dc.rights.accessrights en
pubs.subtype Article en
pubs.elements-id 505784 en Education and Social Work en Counselling,HumanServ &Soc.Wrk en
pubs.record-created-at-source-date 2015-11-21 en

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