Abstract:
The thesis draws from manual analogue printmaking methods and digital processes and printing. The aim is to create a balance between these polar opposites, not only in the visual outcome but within the process of producing the art. The art relies on an analogue mono-print method of serigraph to create the initial images. Then images are subjected to one or multiple digital processes. The question of authenticity arises throughout this explorations and is addressed in conjunction to printmaking, repetition, reproduction, digital art and language. With the conclusion that aura/authenticity exists within all art even that of repetition.
