Original Repetition

Kirk, Natalie

dc.contributor.advisor	Shin, J	en
dc.contributor.author	Kirk, Natalie	en
dc.date.accessioned	2016-01-20T01:31:30Z	en
dc.date.issued	2015	en
dc.identifier.citation	2015	en
dc.identifier.uri	http://hdl.handle.net/2292/28049	en
dc.description	Full text is available to authenticated members of The University of Auckland only.	en
dc.description.abstract	The thesis draws from manual analogue printmaking methods and digital processes and printing. The aim is to create a balance between these polar opposites, not only in the visual outcome but within the process of producing the art. The art relies on an analogue mono-print method of serigraph to create the initial images. Then images are subjected to one or multiple digital processes. The question of authenticity arises throughout this explorations and is addressed in conjunction to printmaking, repetition, reproduction, digital art and language. With the conclusion that aura/authenticity exists within all art even that of repetition.	en
dc.publisher	ResearchSpace@Auckland	en
dc.relation.ispartof	Masters Thesis - University of Auckland	en
dc.relation.isreferencedby	99264894399802091	en
dc.rights	Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.	en
dc.rights	Restricted Item. Available to authenticated members of The University of Auckland.	en
dc.rights.uri	https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm	en
dc.title	Original Repetition	en
dc.type	Thesis	en
thesis.degree.discipline	Fine Arts	en
thesis.degree.grantor	The University of Auckland	en
thesis.degree.level	Masters	en
dc.rights.holder	Copyright: The Author	en
pubs.elements-id	517497	en
pubs.record-created-at-source-date	2016-01-20	en
dc.identifier.wikidata	Q112909486