Original Repetition

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dc.contributor.advisor Shin, J en
dc.contributor.author Kirk, Natalie en
dc.date.accessioned 2016-01-20T01:31:30Z en
dc.date.issued 2015 en
dc.identifier.citation 2015 en
dc.identifier.uri http://hdl.handle.net/2292/28049 en
dc.description Full text is available to authenticated members of The University of Auckland only. en
dc.description.abstract The thesis draws from manual analogue printmaking methods and digital processes and printing. The aim is to create a balance between these polar opposites, not only in the visual outcome but within the process of producing the art. The art relies on an analogue mono-print method of serigraph to create the initial images. Then images are subjected to one or multiple digital processes. The question of authenticity arises throughout this explorations and is addressed in conjunction to printmaking, repetition, reproduction, digital art and language. With the conclusion that aura/authenticity exists within all art even that of repetition. en
dc.publisher ResearchSpace@Auckland en
dc.relation.ispartof Masters Thesis - University of Auckland en
dc.relation.isreferencedby 99264894399802091 en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights Restricted Item. Available to authenticated members of The University of Auckland. en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title Original Repetition en
dc.type Thesis en
thesis.degree.discipline Fine Arts en
thesis.degree.grantor The University of Auckland en
thesis.degree.level Masters en
dc.rights.holder Copyright: The Author en
pubs.elements-id 517497 en
pubs.record-created-at-source-date 2016-01-20 en

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