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| dc.contributor.author | Marjoram, Tessa L | en |
| dc.date.accessioned | 2008-09-19T01:13:22Z | en |
| dc.date.available | 2008-09-19T01:13:22Z | en |
| dc.date.issued | 1999 | en |
| dc.identifier.issn | THESIS | en |
| dc.identifier.uri | http://hdl.handle.net/2292/2946 | en |
| dc.description | Restricted Item. Print thesis available in the University of Auckland Library or may be available through Interlibrary Loan. | en |
| dc.description.abstract | Chapter One explores Jahnke's first series of gallery works, entitled Ata, 'Shadow.' Dealing with his early formative works, this chapter examines Jahnke's response to Nopera Panakareao's metaphor of shadow and substance. Drawing inspiration from the spiritual legacy of the nineteenth century Maori poropiti, 'prophets,' and also from his artistic predecessors Ralph Hotere and Paratene Matchitt, Jahnke offers an interesting look at colonial relationships between Maori and Pakeha. Forming a strong foundation for his 'activist' agenda, this series is a reflection on the colonial past. | en |
| dc.publisher | ResearchSpace@Auckland | en |
| dc.relation.isreferencedby | UoA891247 | en |
| dc.rights | Restricted Item. Print thesis available in the University of Auckland Library or may be available through Interlibrary Loan. | en |
| dc.rights.uri | https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm | en |
| dc.title | Colonialism, control and cultural exchange : sculptural works by Robert Jahnke | en |
| dc.type | Thesis | en |
| thesis.degree.grantor | The University of Auckland | en |
| thesis.degree.level | Masters | en |
| dc.rights.accessrights | http://purl.org/eprint/accessRights/ClosedAccess | en |
| dc.identifier.wikidata | Q112849711 |
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