Colonialism, control and cultural exchange : sculptural works by Robert Jahnke

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dc.contributor.author Marjoram, Tessa L en
dc.date.accessioned 2008-09-19T01:13:22Z en
dc.date.available 2008-09-19T01:13:22Z en
dc.date.issued 1999 en
dc.identifier.issn THESIS en
dc.identifier.uri http://hdl.handle.net/2292/2946 en
dc.description Restricted Item. Print thesis available in the University of Auckland Library or may be available through Interlibrary Loan. en
dc.description.abstract Chapter One explores Jahnke's first series of gallery works, entitled Ata, 'Shadow.' Dealing with his early formative works, this chapter examines Jahnke's response to Nopera Panakareao's metaphor of shadow and substance. Drawing inspiration from the spiritual legacy of the nineteenth century Maori poropiti, 'prophets,' and also from his artistic predecessors Ralph Hotere and Paratene Matchitt, Jahnke offers an interesting look at colonial relationships between Maori and Pakeha. Forming a strong foundation for his 'activist' agenda, this series is a reflection on the colonial past. en
dc.publisher ResearchSpace@Auckland en
dc.relation.isreferencedby UoA891247 en
dc.rights Restricted Item. Print thesis available in the University of Auckland Library or may be available through Interlibrary Loan. en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title Colonialism, control and cultural exchange : sculptural works by Robert Jahnke en
dc.type Thesis en
thesis.degree.grantor The University of Auckland en
thesis.degree.level Masters en
dc.rights.accessrights http://purl.org/eprint/accessRights/ClosedAccess en


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