Maori music, a historical survey.

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dc.contributor.author Phillips, Irene Margaret Constance en
dc.date.accessioned 2008-09-22T02:32:25Z en
dc.date.available 2008-09-22T02:32:25Z en
dc.date.issued 1929 en
dc.identifier.issn THESIS en
dc.identifier.uri http://hdl.handle.net/2292/2965 en
dc.description.abstract The function of Music is to afford a means of expression for those emotional states which are to a great extent suppressed in the daily routine of their existence. It is an outgrowth of, and a progression on human speech, which is no longer adequate to express the feelings that require an outlet. The impulse to music seems to belong to mankind as a whole. By observing the music of primitive races -- its association with daily activities, and its development, the student is able to gain an insight into the origin and essence of the classical impulse. In these comparatively uncivilized states, music is primarily a social diversion. It affords an outlet for energies, muscular and nervous, gratifies the play instinct, and stimulates emotional excitement. en
dc.publisher ResearchSpace@Auckland en
dc.relation.isreferencedby UoA9921652914002091 en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title Maori music, a historical survey. en
dc.type Thesis en
thesis.degree.grantor The University of Auckland en
thesis.degree.level Masters en
dc.rights.accessrights http://purl.org/eprint/accessRights/OpenAccess en
dc.identifier.wikidata Q112834195


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