dc.contributor.advisor |
Simmons, L |
en |
dc.contributor.author |
Lee, Sanghun |
en |
dc.date.accessioned |
2016-08-12T02:25:28Z |
en |
dc.date.issued |
2015 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/29955 |
en |
dc.description |
Full text is available to authenticated members of The University of Auckland only. |
en |
dc.description.abstract |
Design in architecture is naturally inclined to draw near and closer to fact as long as the assumption exists that its final chapter will be a building. The architectural force of attraction is linear in this respect, and each incremental step will gravitate towards cementing the idea into a solid. To suspend from it, however long, would constitute a mistake or a discontent, more so than it is by sheer intention. The thesis looks into interpreting Angela Carter’s novel Nights at the Circus as a method of architectural formation, and a question of process. |
en |
dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.ispartof |
Masters Thesis - University of Auckland |
en |
dc.relation.isreferencedby |
UoA99264879414002091 |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights |
Restricted Item. Available to authenticated members of The University of Auckland. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-sa/3.0/nz/ |
en |
dc.title |
Graft |
en |
dc.type |
Thesis |
en |
thesis.degree.discipline |
Architecture |
en |
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Masters |
en |
dc.rights.holder |
Copyright: The author |
en |
pubs.elements-id |
539231 |
en |
pubs.org-id |
Creative Arts and Industries |
en |
pubs.org-id |
Architecture and Planning |
en |
pubs.record-created-at-source-date |
2016-08-12 |
en |
dc.identifier.wikidata |
Q112909587 |
|