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dc.contributor.advisor Simmons, L en Lee, Sanghun en 2016-08-12T02:25:28Z en 2015 en
dc.identifier.uri en
dc.description Full text is available to authenticated members of The University of Auckland only. en
dc.description.abstract Design in architecture is naturally inclined to draw near and closer to fact as long as the assumption exists that its final chapter will be a building. The architectural force of attraction is linear in this respect, and each incremental step will gravitate towards cementing the idea into a solid. To suspend from it, however long, would constitute a mistake or a discontent, more so than it is by sheer intention. The thesis looks into interpreting Angela Carter’s novel Nights at the Circus as a method of architectural formation, and a question of process. en
dc.publisher ResearchSpace@Auckland en
dc.relation.ispartof Masters Thesis - University of Auckland en
dc.relation.isreferencedby UoA99264879414002091 en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights Restricted Item. Available to authenticated members of The University of Auckland. en
dc.rights.uri en
dc.rights.uri en
dc.title Graft en
dc.type Thesis en Architecture en The University of Auckland en Masters en
dc.rights.holder Copyright: The author en
pubs.elements-id 539231 en Creative Arts and Industries en Architecture and Planning en
pubs.record-created-at-source-date 2016-08-12 en

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