dc.contributor.advisor |
Davis, M |
en |
dc.contributor.author |
Mazraefarahani, Farzaneh |
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dc.date.accessioned |
2017-03-06T22:24:39Z |
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dc.date.issued |
2016 |
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dc.identifier.uri |
http://hdl.handle.net/2292/32068 |
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dc.description |
Full text is available to authenticated members of The University of Auckland only. |
en |
dc.description.abstract |
This thesis explores the relationship between contemporary art and architectural skin with the aim of discovering and relations between practices of art and architecture. The motive of this exploration is rooted in my own interests in art which includes painting and hand model making. Art was how I discovered my love for architecture as I was able to express my creativity and imagination through architectural designs. By looking at façade, which arguably has an exhibitive role in architecture similar to that of surface modelled artwork, this thesis is able to investigate and align the two disciplines. The outcome of the thesis is an articulation of the relationship between contemporary art and architecture. The distinction and intersection between art and architecture were realized through research on unconventional façades in relation to art, creation of art inspired hand models and examining their suitability for a façade, and the usage of digital media in design. Driving these investigations were two project vehicles: The re-skinning of an existing building with a new façade; and the design of an art studio for the artist Matthew Shlian. To open the discussion on how contemporary art can impact on façade design, the method of this thesis was to first give priority to an art-oriented design and then solve the architectural issues. However, I found it was important to not allow the technical issues of architecture to dictate and change the nature of the art-driven design. Through discussions and reflections on the design process, this thesis identifies art as an essential aspect not to be held separate from architecture. This artistic essence is able to find its place through not only surfaces and external architectural skins but potentially through structure and interior space as well. Integrating art in architectural façade design is an opportunity to humanize and characterize a building so it may be seen as an intriguing landmark that can easily interact and engage with its observers. Ultimately this thesis has enhanced and repositioned the notion of contemporary art within my architectural practice and created the opportunity for reflection upon my design methodology that I am constantly developing while providing a platform for future investigations. |
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dc.publisher |
ResearchSpace@Auckland |
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dc.relation.ispartof |
Masters Thesis - University of Auckland |
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dc.relation.isreferencedby |
UoA99265069112002091 |
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dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
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dc.rights |
Restricted Item. Available to authenticated members of The University of Auckland. |
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dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-sa/3.0/nz/ |
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dc.title |
Architectural skin from a vision of contemporary art |
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dc.type |
Thesis |
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thesis.degree.discipline |
Architecture |
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thesis.degree.grantor |
The University of Auckland |
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thesis.degree.level |
Masters |
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dc.rights.holder |
Copyright: The author |
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pubs.elements-id |
616051 |
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pubs.record-created-at-source-date |
2017-03-07 |
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dc.identifier.wikidata |
Q112925960 |
|