dc.contributor.author |
Ashley, Linda |
en |
dc.contributor.author |
Lines, David |
en |
dc.contributor.editor |
Ashley, L |
en |
dc.contributor.editor |
Lines, D |
en |
dc.date.accessioned |
2017-06-19T23:43:14Z |
en |
dc.date.issued |
2016-05-26 |
en |
dc.identifier.citation |
In D. Lines & L. Ashley (Eds.). (2016) Intersecting cultures in music and dance education: An oceanic perspective (pp. 1-16). Switzerland: Springer |
en |
dc.identifier.isbn |
331928987X |
en |
dc.identifier.isbn |
978-3-319-28989-2 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/33625 |
en |
dc.description.abstract |
Intersecting Cultures in Music and Dance Education: An Oceanic Perspective explores the interface of Oceanic cultures through the diversity, richness and critical differences encountered in their performing arts, educational paradigms and cultural worldviews. In this introductory chapter, the editors reflect on aspects of their personal histories that inform their thinking in the book. This is followed by an editorial discussion that outlines theoretical and practical contexts informing key concepts in the book including notions of culture and cultural diversity, ethnicity, identity, hybridity, indigeneity, colonialism, migrancy, multiculturalism, tradition, cultural interaction and difference. |
en |
dc.description.uri |
http://librarysearch.auckland.ac.nz/UOA2_A:Combined_Local:uoa_alma51263464730002091 |
en |
dc.publisher |
Springer |
en |
dc.relation.ispartof |
Intersecting cultures in music and dance education: An oceanic perspective |
en |
dc.relation.ispartofseries |
Landscapes: the arts, aesthetics, and education |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. Details obtained from http://www.springer.com/gp/rights-permissions/obtaining-permissions/882 |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.subject |
Oceania |
en |
dc.subject |
music education |
en |
dc.subject |
dance education |
en |
dc.subject |
cultural diversity |
en |
dc.subject |
hybridity |
en |
dc.subject |
colonialism |
en |
dc.subject |
cultural interaction |
en |
dc.subject |
critical pedagogy |
en |
dc.title |
Introduction |
en |
dc.type |
Book Item |
en |
dc.identifier.doi |
10.1007/978-3-319-28989-2_1 |
en |
pubs.begin-page |
1 |
en |
pubs.volume |
19 |
en |
pubs.author-url |
https://researchspace.auckland.ac.nz/handle/2292/33625 |
en |
pubs.end-page |
16 |
en |
pubs.place-of-publication |
Switzerland |
en |
pubs.publication-status |
Published |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.elements-id |
614283 |
en |
pubs.org-id |
Creative Arts and Industries |
en |
pubs.org-id |
Music |
en |
pubs.record-created-at-source-date |
2017-02-22 |
en |
pubs.online-publication-date |
2016-05-26 |
en |