Exploring the application of transfigured audio and irregular rhythm in a compositional setting

Abstract

This research portfolio investigates and discusses compositional techniques that employ unconventional and newly-devised methods to compose contemporary popular music. It consists of a dissertation, an exegesis and seven original works with accompanying graphic scores and recordings. This is an account of my experimentation with the application of atypical rhythmic stress and emphasis in a variety of contexts, including forming cyclic harmony through polyrhythmic phrases and creating 'rhythmic lilt'. The concept of 'micro-subdivision' is explored, and the role of rhythmic layering within the composition is investigated and broadened, as demonstrated throughout the works. Through this research I have digitally transfigured both acoustic and synthesized audio in order to develop a range of rhythmic, harmonic and timbral applications. My aim was to incorporate these methods into my compositional process while gaining further understanding of my own aesthetic style.