Songs in blue for the damned of the earth

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dc.contributor.advisor Horrocks, Roger en
dc.contributor.author Fala, Tony en
dc.date.accessioned 2018-05-18T03:18:31Z en
dc.date.available 2018-05-18T03:18:31Z en
dc.date.issued 1999 en
dc.identifier.uri http://hdl.handle.net/2292/37155 en
dc.description.abstract This thesis aims to situate four of Amiri Baraka's poetry collections--Preface to a Twenty Volume Suicide Note, The Dead Lecturer, Black Magic, and Hard Facts--alongside Frantz Fanon's model of development of the colonised intellectual. This development study of Baraka' s life and work adopts a broader geographical and political framework than much of the previous commentaries to see what insights Baraka's poetry may offer to other communities forced to deal with racist and other forms of oppression. This thesis will argue Fanon' s paradigm offers a useful means to understand Baraka as outsider, who in times of social upheaval struggles to 'decolonise' himself, then return to, and decolonise, his people. This can be seen as a type of quest for personal, cultural and national identity. The concept of identity formed around W. E. B. Dubois's 'veil' of split consciousness will be central to the work, as it provides a dynamic for understanding the poet's continuous battles to find a meaningful place for himself and his people­-- analogous issues for all colonised peoples. Assuming Fanon' s polemical and dialectical stance, the thesis proposes to chart Baraka' s career as a poet as it moves through assimilation, transition, nationalism, and Marxism, in relation to the 'mother culture' in which he develops as a person and a poet. Larger political conflicts form a counterpoint to the development of what Fanon calls 'the native intellectual', who is inspired by, and inspires in return, his people. en
dc.language en en
dc.publisher ResearchSpace@Auckland en
dc.relation.ispartof Masters Thesis - University of Auckland en
dc.relation.isreferencedby UoA9989434414002091 en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title Songs in blue for the damned of the earth en
dc.type Thesis en
thesis.degree.discipline English en
thesis.degree.grantor The University of Auckland en
thesis.degree.level Masters en
dc.rights.holder Copyright: The author en
dc.rights.accessrights http://purl.org/eprint/accessRights/OpenAccess en


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