Developing Arco Swing on Double Bass in Jazz

Abstract

This research aims to identify strategies for bassists who wish to develop their bowing skills in a jazz context. Documentation on learning and teaching strategies for arco bass are numerous and detailed in the world of classical performance, however the number of relevant resources pertaining to arco performance in jazz is reasonably small. The findings of this research could be useful for upright bassists who, like the author, have had considerable experience playing pizzicato in a jazz context, but have not previously used the bow in their music-making endeavours. The methods of inquiry are through personal practice, expert guidance, observation and exploration of selected practitioners, composition, and improvisation. A succinct analysis pertaining to relevant acoustic properties of the bowed bass tone is also included. This component exists as appendages to its respective aspects, where deemed necessary, to inform the practice process. Accompanying this thesis is a performance recital of repertoire directly relating to and chosen for its relevance to arco bass, and a composition portfolio created with the intention of integrating arco technique into my own performance and composition repertoire. Furthermore, I am reflecting on the recordings of my recital and compositions in order to critically assess my personal development, provide guidance for further improvement of my playing, and finally to refine the practice method applied in this project, aiming to assist bassists who potentially wish to use this approach in their development of bowing skills within a jazz context.