dc.contributor.advisor |
Albert Wendt |
en |
dc.contributor.advisor |
Peter Simpson |
en |
dc.contributor.author |
Dugdale, Sarah |
en |
dc.date.accessioned |
2007-03-09 |
en |
dc.date.available |
2007-03-09 |
en |
dc.date.issued |
2002 |
en |
dc.identifier.citation |
Thesis (PhD--English)--University of Auckland, 2002. |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/380 |
en |
dc.description.abstract |
This thesis offers a detailed reading of the adult fiction of the New Zealand
writer Maurice Gee in order to examine their representations of a settler
community in a post-colonial society. The works of social historians, political
economists and sociologists are used to make relevant connections between
events and attitudes in the actual world and those portrayed in the novels.
Observations are made on the overall condition of the Pakeha in New Zealand
society at the end of the millennium.
The Introduction discusses the current understanding of the post-settler position
in post-colonial theory, and explains the use in the thesis of the term Pakeha to
describe this position. The body of the thesis is divided into five chapters that
roughly correspond with the final decades of the twentieth century. Each chapter
discusses the two or three novels Maurice Gee published in each decade, starting
with the little known novels from the 1960s, The Big Season and A Special
Flower, and concluding with the three novels published during the 1990s.
Working from the premise that the acknowledgement and understanding of the
settler position is an important responsibility of the modern post-colonial society,
the thesis argues that Gee's novels are a profound expression of the settler
position in contemporary New Zealand, and that the uncertainty and hesitation
revealed in each of them reflect a cultural anxiety underlying the settler
consciousness.
In the bibliography Gee's novels are acknowledged as the primary resource of the
thesis, and the numerous books, articles, reviews and essays used to support the
ideas proposed in the thesis – literary, historical, economic and sociological – are presented as secondary sources. |
en |
dc.format |
Scanned from print thesis |
en |
dc.language.iso |
en |
en |
dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.ispartof |
PhD Thesis - University of Auckland |
en |
dc.relation.isreferencedby |
UoA1032842 |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Gee's territory: Pakeha society in the fiction of Maurice Gee |
en |
dc.type |
Thesis |
en |
thesis.degree.discipline |
English |
en |
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Doctoral |
en |
thesis.degree.name |
PhD |
en |
dc.rights.holder |
Copyright: The author |
en |
pubs.local.anzsrc |
200302 - English Language |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |
pubs.org-id |
Faculty of Arts |
en |
dc.identifier.wikidata |
Q112857523 |
|