dc.contributor.author |
Koo, Sun |
en |
dc.contributor.author |
Sung, SY |
en |
dc.contributor.editor |
Shin, HJ |
en |
dc.date.accessioned |
2018-10-03T01:45:26Z |
en |
dc.date.issued |
2016 |
en |
dc.identifier.isbn |
9781317645733 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/38450 |
en |
dc.description.abstract |
Scientific advancement, digitization, and globalized internet have enabled vibrant flow of cultures beyond geo-political boundaries yet by adding unpredictable complexity to the local/global cultural traffic. As part of this process which has greatly reshaped transnational circulation, adaptation, and reception of locally produced music, Korean popular music has been promoted worldwide and has gained far more attention and recognition today than any other decades in the past. This has even led to the spread of a new term, K-Pop, referring to Korean popular music consumed and circulated in global market. If K-Pop has been gradually noticeable in world music market from the late 1990s and more prominently since 2000s, the transnational circulation and consumption of Korean popular music has been rather dated to far earlier time, from the beginning of the twentieth century. Although historical and contemporary Korean popular music in transnational space contrast in many aspects, especially in terms of their markets, modes of exportations, types of engaged dynamics, and scopes of circulation and consumption, the transnational flow of Korean popular music has been surely diachronic than synchronic and has influenced on local music markets and productions once it left Korea. In this chapter, two authors Sung and Koo propose a diachronic investigation on the circulation and reception of Korean popular music by introducing multi-regional case studies attained from Asia and Europe. |
en |
dc.description.uri |
https://catalogue.library.auckland.ac.nz/primo-explore/fulldisplay?docid=uoa_alma21262905510002091&context=L&vid=NEWUI&search_scope=Combined_Local&tab=books&lang=en_US |
en |
dc.publisher |
Routledge |
en |
dc.relation.ispartof |
Made in Korea: Studies in Korean Popular Music |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights |
This is an Accepted Manuscript of a book chapter published by Routledge/CRC Press in Made in Korea: Studies in Korean popular music on 23 Aug 2016, available online: https://www.taylorfrancis.com/books/9781315761626 |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
https://www.routledge.com/info/open_access/by_the_chapter |
en |
dc.title |
Asia and Beyond: Circulation and Reception of Korean Popular Music Outside of Korea |
en |
dc.type |
Book Item |
en |
dc.identifier.doi |
10.4324/9781315761626-29 |
en |
pubs.begin-page |
203 |
en |
dc.rights.holder |
Copyright: Taylor and Francis |
en |
pubs.author-url |
https://books.google.co.nz/books?id=Wl0PDQAAQBAJ |
en |
pubs.end-page |
214 |
en |
pubs.place-of-publication |
London & New York |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |
pubs.elements-id |
514188 |
en |
pubs.org-id |
Arts |
en |
pubs.org-id |
Social Sciences |
en |
pubs.org-id |
Anthropology |
en |
pubs.number |
17 |
en |
pubs.record-created-at-source-date |
2015-12-18 |
en |