dc.contributor.author |
Cremin, Colin |
en |
dc.contributor.editor |
Turner, B |
en |
dc.contributor.editor |
Kyung-Sup, C |
en |
dc.contributor.editor |
Epstein, CF |
en |
dc.contributor.editor |
Kivisto, P |
en |
dc.contributor.editor |
Ryan, M |
en |
dc.contributor.editor |
Outhwaite, W |
en |
dc.date.accessioned |
2018-10-03T03:18:02Z |
en |
dc.date.issued |
2017 |
en |
dc.identifier.isbn |
9781118430873 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/38507 |
en |
dc.description.abstract |
Fredric Jameson’s excoriating critique of postmodernism is a seminal work of contemporary cultural theory. Drawing on Ernest Mandel’s tripartite model of capitalist development, Jameson situates postmodernism in what he calls a cultural logic of late capitalism. Characterised by the naturalisation of the market and the reduction of all things to the category of culture, postmodernism expunges a depth model of cultural analysis by promulgating the myth that categories such as class and the unconscious have no explanatory value. |
en |
dc.publisher |
Wiley-Blackwell |
en |
dc.relation.ispartof |
The Wiley-Blackwell Encyclopedia of Social Theory |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Cultural Logic of Late Capitalism |
en |
dc.type |
Book Item |
en |
dc.identifier.doi |
10.1002/9781118430873.est0615 |
en |
dc.rights.holder |
Copyright: The author |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.elements-id |
460561 |
en |
pubs.org-id |
Arts |
en |
pubs.org-id |
Social Sciences |
en |
pubs.org-id |
Sociology |
en |
pubs.record-created-at-source-date |
2014-11-11 |
en |