Face-to-face: Form, relation, apparition

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dc.contributor.author Brown, Carol en
dc.contributor.author Claid, E en
dc.contributor.author Ellis, S en
dc.contributor.author Protopapa, E en
dc.coverage.spatial Michaelis Theatre, Roehampton University, London UK en
dc.date.accessioned 2018-10-03T22:11:40Z en
dc.date.issued 2013-11-05 en
dc.identifier.uri http://hdl.handle.net/2292/38615 en
dc.description.abstract 'I am made and remade continually. Different people draw different words from me' (Virginia Woolf). We sit facing each other and draw on our individual, current choreographic research projects to think through the uncertainties of presence in collaboration, and the ways in which as artist-scholars we extend out into the world. Given the social nature of choreographic practice, we seem ready to be 'made and remade continually', as we encounter the other in the excessive nearness of friendship (Giorgio Agamben). We alternate between form and formlessness, as we engage in fragile processes of collaborative making. If we accept that different practices of relating start shaping the various choreographic contexts we work in – be they aesthetic, pedagogic, theatre, video, writing – at what point, we might ask, do we turn into some kind of hard-to-see apparition? This was a roundtable discussion by artist- scholars at Roehampton Dance. en
dc.relation.ispartof Research Seminar Series en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title Face-to-face: Form, relation, apparition en
dc.type Presentation en
dc.rights.holder Copyright: The author en
dc.rights.accessrights http://purl.org/eprint/accessRights/RestrictedAccess en
pubs.subtype Invited en
pubs.elements-id 717392 en
pubs.record-created-at-source-date 2017-11-22 en


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