dc.contributor.author |
Samuels, Lisa |
en |
dc.date.accessioned |
2018-10-10T01:57:04Z |
en |
dc.date.issued |
2017-11-10 |
en |
dc.identifier.issn |
0009-3696 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/40336 |
en |
dc.description.abstract |
New 7000-word article on the contemporary body artist Carolee Schneemann's book VULVA'S MORPHIA (1997). The article proposes a new theory called bioautography. This critical neologism inverts the normative term “autobiography”: instead of the “self-life-writing” order of the term autobiography, the term bioautography gives primacy to the bio-life in self-writing. Imagining the character of VULVA as and with a language puts us in the position of thinking explicitly about where semiotics works in terms of desire and power. |
en |
dc.publisher |
University of Chicago Press |
en |
dc.relation.ispartofseries |
Chicago Review |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
https://www.journals.uchicago.edu/cont/jrnl_rights#faq3 |
en |
dc.title |
Bioautography and Carolee Schneemann's VULVA’S MORPHIA |
en |
dc.type |
Journal Article |
en |
pubs.issue |
4 |
en |
pubs.begin-page |
154 |
en |
pubs.volume |
60 |
en |
dc.rights.holder |
Copyright: University of Chicago Press |
en |
pubs.author-url |
http://chicagoreview.org/issues/issue-60046101/ |
en |
pubs.end-page |
174 |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |
pubs.subtype |
Article |
en |
pubs.elements-id |
669425 |
en |
pubs.org-id |
Arts |
en |
pubs.org-id |
Humanities |
en |
pubs.org-id |
English and Drama |
en |
pubs.record-created-at-source-date |
2017-09-18 |
en |