Bioautography and Carolee Schneemann's VULVA’S MORPHIA

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Show simple item record Samuels, Lisa en 2018-10-10T01:57:04Z en 2017-11-10 en
dc.identifier.issn 0009-3696 en
dc.identifier.uri en
dc.description.abstract New 7000-word article on the contemporary body artist Carolee Schneemann's book VULVA'S MORPHIA (1997). The article proposes a new theory called bioautography. This critical neologism inverts the normative term “autobiography”: instead of the “self-life-writing” order of the term autobiography, the term bioautography gives primacy to the bio-life in self-writing. Imagining the character of VULVA as and with a language puts us in the position of thinking explicitly about where semiotics works in terms of desire and power. en
dc.publisher University of Chicago Press en
dc.relation.ispartofseries Chicago Review en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights.uri en
dc.rights.uri en
dc.title Bioautography and Carolee Schneemann's VULVA’S MORPHIA en
dc.type Journal Article en
pubs.issue 4 en
pubs.begin-page 154 en
pubs.volume 60 en
dc.rights.holder Copyright: University of Chicago Press en en
pubs.end-page 174 en
dc.rights.accessrights en
pubs.subtype Article en
pubs.elements-id 669425 en Arts en Humanities en English and Drama en
pubs.record-created-at-source-date 2017-09-18 en

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