dc.contributor.advisor |
Caddy, D |
en |
dc.contributor.author |
Field, Kevin |
en |
dc.date.accessioned |
2018-12-20T21:14:40Z |
en |
dc.date.issued |
2018 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/45033 |
en |
dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.ispartof |
PhD Thesis - University of Auckland |
en |
dc.relation.isreferencedby |
UoA99265104712802091 |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-nd/3.0/nz/ |
en |
dc.title |
Mode Three of the Modes of Limited Transposition: A Model for Application in Jazz Improvisation and Composition |
en |
dc.type |
Thesis |
en |
thesis.degree.discipline |
Musical Arts |
en |
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Doctoral |
en |
thesis.degree.name |
PhD |
en |
dc.rights.holder |
Copyright: The author |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |
pubs.elements-id |
758533 |
en |
pubs.org-id |
Creative Arts and Industries |
en |
pubs.org-id |
Music |
en |
pubs.record-created-at-source-date |
2018-12-21 |
en |
dc.identifier.wikidata |
Q112936307 |
|