Abstract:
Unlimited possibilities sketch the communication system among multiple dimensions. The bridge that connects both the senses and sensitivity showing the approach to a unified consonance – synaesthesia. This thesis will explore the process of tying music theories and practice to architectural design through emotion and proportion studies. Based on aesthetic phenomenology and a mathematical module, developed methodology proposes an intelligent approach of designing architecture with the participation of informational technology. A frozen moment of music contains a complex of proportional elements which imply the sequence of parametric structure inspired by abstract aesthetic ("Architecture is frozen music" ). Due to its formless expression and dramatic narrative, the wellstructured fluency reveals and enhances the language of spatial design ("Music is liquid architecture"). "Music is considered as a powerful tool for arousing emotions in human beings." As a fragment of music, architecture stands with its fading stories. The words trigger reflected emotion from each visitor and paint their unique memories with their original perceptions. Technology invades, and addresses to be the new soul of architectural evolution. Parametric intelligence inherits the elegance of science and artificial creation. Performance Centre design which located in future Auckland CBD Extension urban proposed plan. The experimentally designed building named after Beethoven's famous F minor sonata -Appassionata, which contains classic musical order with the most dramatic emotions. Performing architecture by using musical language provides available approach to propose and discuss new concept of presenting architectural design progress. Given consideration to both proportional composition and phenomenology create complete interpretation of music.