dc.contributor.author |
Camp, Gregory |
en |
dc.coverage.spatial |
University of Canterbury, New Zealand |
en |
dc.date.accessioned |
2019-02-27T23:21:19Z |
en |
dc.date.issued |
2018 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/45603 |
en |
dc.relation.ispartof |
New Zealand Musicological Society 2018 |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Howard Hawks, Dimitri Tiomkin, and the male chorus: Musical masculinity in mid-century America |
en |
dc.type |
Conference Item |
en |
dc.rights.holder |
Copyright: The author |
en |
pubs.author-url |
https://www.nzmusicology.org/canterbury-2018.html |
en |
pubs.finish-date |
2018-12-02 |
en |
pubs.start-date |
2018-11-30 |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.subtype |
Conference Paper |
en |
pubs.elements-id |
757355 |
en |
pubs.org-id |
Creative Arts and Industries |
en |
pubs.org-id |
Music |
en |
pubs.record-created-at-source-date |
2018-12-03 |
en |