The Haptic Documentaries of Silvio Soldini

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dc.contributor.author Luciano, Bernadette en
dc.date.accessioned 2019-09-25T21:28:08Z en
dc.date.issued 2018-11-30 en
dc.identifier.issn 2532-2486 en
dc.identifier.uri http://hdl.handle.net/2292/47933 en
dc.description.abstract Silvio Soldini’s documentaries, like many of his feature films, focus on the representations of marginalized groups, on the unveiling of non-mainstream Italian realities and on the interweaving of multiple narratives that resist resolution. In this article, I consider three of Soldini's more recent documentaries, “Per altri occhi”, “Tre Milano”, and “Il fiume ha sempre ragione”, focusing particularly on how Soldini engages us in a form of active viewing that draws attention not just to the visual but to other senses, eliciting affective response and providing space for reflection on ways of being in the world. en
dc.relation.ispartofseries SCHERMI: Storia e cultura del cinema e dei media in Italia en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.title The Haptic Documentaries of Silvio Soldini en
dc.type Journal Article en
dc.identifier.doi 10.13130/2532-2486/10450 en
pubs.issue 4 en
pubs.begin-page 49 en
pubs.volume 2 en
dc.rights.holder Copyright: The author en
pubs.author-url https://riviste.unimi.it/index.php/schermi/article/view/10450/10528 en
pubs.end-page 67 en
dc.rights.accessrights http://purl.org/eprint/accessRights/RestrictedAccess en
pubs.subtype Article en
pubs.elements-id 774577 en
pubs.org-id Arts en
pubs.org-id Cultures, Languages & Linguist en
dc.identifier.eissn 2532-2486 en
pubs.record-created-at-source-date 2019-06-16 en


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