Abstract:
This research focuses on the development of new theoretical concepts, parameters and methods for the creation of so-called ‘harmonic balance’ in modern jazz ‘line’ (improvisation and composition). The research is primarily concerned with the question: How can (the different) improvisational approaches introduced in the late 1960s by John Coltrane and in the 1980s by saxophonists Steve Coleman, Gary Thomas and Greg Osby be developed in new contemporary saxophone improvisational practice? It investigates the common denominators (intervallic content, rhythmic integrity, pattern and phrase structure) in non-traditional,chordal and scalic improvisational theory, and the ways in which they contribute to linear balance. The research identifies, analyses and assimilates existing relevant harmonic material and improvisational processes, and applies these to both the composition and performance of specific études. This process enables the researcher to develop unique and idiosyncratic creative approaches, ones that will inform both practical jazz-making and theoretical pedagogy.