dc.contributor.author |
Weber, Janet |
en |
dc.contributor.editor |
Bond, K |
en |
dc.contributor.editor |
Gardner, S |
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dc.date.accessioned |
2020-04-21T04:58:14Z |
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dc.date.issued |
2018 |
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dc.identifier.citation |
In Dance and the Quality of Life. Editors: Bond K, Gardner S. 73: 327-324. Springer, Cham, Switzerland 2018 |
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dc.identifier.isbn |
978-3-319-95699-2 |
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dc.identifier.uri |
http://hdl.handle.net/2292/50449 |
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dc.description.abstract |
Dance, as a practice of coupling the sensate moving being with the environmental context, is a form of embodied meaning-making. Somatics, the field of mind-body integration, offers pedagogical frameworks that can deepen the benefits of dance education in relation to bodily attention and perception, individual autonomy, and intersubjective mutuality. This chapter introduces contemporary theories of cognition that support an understanding of the types of meaning-making inherent in dance and Somatics and examines Somatics’ grounding in feminism and existential phenomenology. I suggest that the subjective and intersubjective benefits of Somatic Movement Dance Education (SMDE) have relevance to cognitive psychological theories of creativity, proposing that SMDE can afford dancers with more creative movement generation and choreographic output in dance. |
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dc.description.uri |
https://catalogue.library.auckland.ac.nz/permalink/f/t37c0t/uoa_alma51297047060002091 |
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dc.publisher |
Springer |
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dc.relation.ispartof |
Dance and the Quality of Life |
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dc.relation.ispartofseries |
Social Indicators Research Series |
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dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
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dc.rights |
This is a pre-print of a chapter published in Dance and the Quality of Life. The final authenticated version is available online at: https://doi.org/10.1007/978-3-319-95699-2_18 |
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dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
https://www.springer.com/gp/open-access/publication-policies/self-archiving-policy |
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dc.title |
Somatic Movement Dance Education: A Feminist, Cognitive, Phenomenological Perspective on Creativity in Dance |
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dc.type |
Book Item |
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dc.identifier.doi |
10.1007/978-3-319-95699-2_18 |
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pubs.begin-page |
327 |
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pubs.volume |
73 |
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dc.rights.holder |
Copyright: Springer |
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pubs.author-url |
https://books.google.co.nz/books?id=pqOLDwAAQBAJ |
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pubs.end-page |
324 |
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pubs.place-of-publication |
Cham, Switzerland |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |
pubs.elements-id |
796270 |
en |
pubs.org-id |
Creative Arts and Industries |
en |
pubs.org-id |
Dance Studies Programme |
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pubs.number |
18 |
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pubs.record-created-at-source-date |
2020-03-12 |
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