Morgen: Songs for Cello and Piano CD booklet

Show simple item record de Lisle, Rae en 2020-09-20T22:22:46Z en 2020-09-20T22:22:46Z en 2020-03-01 en
dc.identifier.citation MORGEN: Songs for Cello and Piano. Andrew Joyce (cello), Rae de Lisle (piano) [CD booklet]. Feb 2020 en
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dc.description.abstract “The purpose of transcriptions has never been to “improve “ the original, nor has it been to stimulate an identical effect. It can only be likened to a painter putting on canvas the same tray of fruits, or the same landscape, that others before him have painted. The subject therefore may be identical, but each artist’s approach is different, conditioned by his brush, eyes and creative personality” Janos Starker 1960 It has often been said that the cello closely resembles the human voice because of both its range and timbre. Along with the medium of the string quartet, the great composers of the past expressed many of their most personal and intimate emotions in song, and from all of the romantic 19th century songbook, it is perhaps the songs of Brahms that most lend themselves to the cello. For Brahms, poetry was an excuse for melody, the melody wrapping around the words rather than being dependent on them. His inspiration was always his personal mood; Brahms used the words to set the scene for personal experience. en
dc.relation.ispartofseries Morgen:Songs for Cello and Piano en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. en
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dc.title Morgen: Songs for Cello and Piano CD booklet en
dc.type Other en
pubs.begin-page 2 en
dc.rights.holder Copyright: The author en en
pubs.end-page 6 en
pubs.finish-date 2020 en
pubs.start-date 2019 en
dc.rights.accessrights en
pubs.subtype Other en
pubs.elements-id 809627 en Creative Arts and Industries en Music en
pubs.record-created-at-source-date 2020-08-03 en

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