This Mess We're in: Speculation and Materiality in Contemporary Art

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dc.contributor.advisor Ingram, Simon
dc.contributor.author Fillary, Inga
dc.date.accessioned 2021-03-09T22:37:18Z
dc.date.available 2021-03-09T22:37:18Z
dc.date.issued 2020 en
dc.identifier.uri https://hdl.handle.net/2292/54618
dc.description.abstract We live in a time of anxiety; trouble lurks at every turn. Under the ongoing shadow of biological insecurity we are constantly brought face-to-face with the real or speculative extinction of humankind. What's the Matter plays with psychic discomfort and damaged and shattered imagery, it invites the viewer to experience instability; exploring the materials of a flawed humanity. Each component of the installation offers its own journey, history and vital force - deeper realities lie concealed beneath their perceivable surfaces. Wrecked, burnt and decaying manufactured materials carry qualities of obsolescence, they are freed from functionality and the empty promises of human technology and instead suggest the possibility of a dark vitality propelling us forward. What's The Matter lauds a species heading for certain doom, the debased euphoria of obliteration. A fleeting gasp of planetary breath and lick to taste the char.
dc.publisher ResearchSpace@Auckland en
dc.relation.ispartof Masters Thesis - University of Auckland en
dc.relation.isreferencedby UoA en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/nz/
dc.title This Mess We're in: Speculation and Materiality in Contemporary Art
dc.type Thesis en
thesis.degree.discipline Fine arts
thesis.degree.grantor The University of Auckland en
thesis.degree.level Masters en
dc.date.updated 2021-03-09T03:16:52Z
dc.rights.holder Copyright: the author en
dc.rights.accessrights http://purl.org/eprint/accessRights/OpenAccess en


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