David Hamilton as Choral Composer: A Conductor's Perspective

Kay, Vanessa

dc.contributor.advisor	Badley, Allan
dc.contributor.advisor	Grylls, Karen
dc.contributor.author	Kay, Vanessa
dc.date.accessioned	2021-03-19T00:06:14Z
dc.date.available	2021-03-19T00:06:14Z
dc.date.issued	2020	en
dc.identifier.uri	https://hdl.handle.net/2292/54743
dc.description	Full Text is available to authenticated members of The University of Auckland only.	en
dc.description.abstract	This thesis explores the reasons why David Hamilton’s works have proved so successful with choirs in New Zealand and discusses some of their more notable characteristics of style as well as the evidence they offer of his experience of working with vocal ensembles of many kinds. This is demonstrated through a series of short case studies of works performed as part of my MMus recital.
dc.publisher	ResearchSpace@Auckland	en
dc.relation.ispartof	Masters Thesis - University of Auckland	en
dc.relation.isreferencedby	UoA	en
dc.rights	Restricted Item. Full Text is available to authenticated members of The University of Auckland only.	en
dc.rights	Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
dc.rights.uri	https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm	en
dc.rights.uri	http://creativecommons.org/licenses/by-nc-sa/3.0/nz/
dc.title	David Hamilton as Choral Composer: A Conductor's Perspective
dc.type	Thesis	en
thesis.degree.discipline	Performance
thesis.degree.grantor	The University of Auckland	en
thesis.degree.level	Masters	en
dc.date.updated	2021-02-26T03:20:38Z
dc.rights.holder	Copyright: the author	en
dc.identifier.wikidata	Q112952577