Abstract:
This article explores how St Birgitta of Sweden’s life experiences and views on gender, birth, sexuality, marriage, and politics are represented through the lens of visual culture. Imagery associated with the publication of her Revelations, devotional images produced in relation to her Birgittine Order, and paintings of the Nativity and Crucifixion inspired by her visions, provide a visual representation of aspects of Birgitta’s intriguing life as a visionary and widow. Drawing upon interpretations of St Birgitta’s significance in historical, theological, cultural and art historical dimensions, the discussion illustrates how Birgitta’s personal, spiritual, and public persona are conveyed and interpreted in art works.