dc.contributor.advisor |
Samuels, Lisa Nell |
|
dc.contributor.author |
Dixon, Jemma R. |
|
dc.date.accessioned |
2021-11-02T23:52:33Z |
|
dc.date.available |
2021-11-02T23:52:33Z |
|
dc.date.issued |
2021 |
en |
dc.identifier.uri |
https://hdl.handle.net/2292/57194 |
|
dc.description.abstract |
This thesis investigates subjectivity in the context of four main interconnecting themes: sensual politics, agency, affect, and semioethics. While ‘undoing’ subjectivity in Anne Garréta’s Sphinx, I pursue a dialectical and intersectional approach to subjectivity that reveals how the text’s grammars each take dialectical turns of privilege to articulate different ontologies and ways of thinking and perceiving. I argue that Sphinx’s formal constraint encourages a (distributed) ontological reading experience, and that in order to ‘undo’ or ‘rethink’ subjectivity afresh in Sphinx, one also ought to interpret and imagine distributively. I further contend that Sphinx’s subtle yet powerful shifts in language prompts a shift in affect, and I argue that the text – though not always ethical – queers dominant discourse while it re-writes supposedly stable critical identitarian tendencies. In Chapter One, I implement Susan Petrilli’s concept of semioethics, for such theorisations seek to detotalise global communication systems; they encourage us to rethink how subjectivity is experienced and felt, and they encourage enquiry toward how language shapes our subjectivities and their permissible expressions. In Chapter Two I derive two hermeneutic frameworks from the work of Lisa Samuels - termed Deformance and ‘distributed centrality.’ I use these theories in a bid to undo dominant discourses, critical interpretations and modalities of thinking about normative ontologies concerning subjectivity. I argue that the text performs a poetic ‘sensual politics’ which resists ideas of static subjectivity and identity. |
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dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.ispartof |
Masters Thesis - University of Auckland |
en |
dc.relation.isreferencedby |
UoA |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. |
|
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Undoing Subjectivity: Sensual Politics, Semioethics, Agency, and Affect in Anne Garréta’s Sphinx |
|
dc.type |
Thesis |
en |
thesis.degree.discipline |
English |
|
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Masters |
en |
dc.date.updated |
2021-09-27T00:55:25Z |
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dc.rights.holder |
Copyright: the author |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |
dc.identifier.wikidata |
Q112955142 |
|