The Music Stopped. Dancers, Rehearsal Directors, and the Rehearsal Process

Show simple item record

dc.contributor.advisor Rowe, Nicholas
dc.contributor.author Baron, Sarah
dc.date.accessioned 2021-11-26T02:20:20Z
dc.date.available 2021-11-26T02:20:20Z
dc.date.issued 2020 en
dc.identifier.uri https://hdl.handle.net/2292/57556
dc.description.abstract Within professional contemporary dance, remounting dance repertoire in a rehearsal process can involve navigating a myriad of factors alongside learning and refining choreography. My research proposes the notion of a dancer-centred (Knox, 2013) rehearsal process as a means to deconstruct potential hierarchies present within dance culture and to highlight the experiences and needs of dancers in a rehearsal process. Through interviews, this ethnographic study has engaged seven professional contemporary dancers currently working within New Zealand’s dance industry. My aim is to uncover potential affects a rehearsal director may have on dancer needs in a rehearsal process. To explore this notion, a dancer-centred lens is utilised to view the rehearsal process from the needs of a dancer. Themes of dancer agency, self-actualisation, wellbeing, belonging, and self-esteem are amalgamated with dancer-centred theory to extend meanings and understandings of dancers’ needs in a rehearsal process and to present the potential effect a rehearsal director may have on dancers. This thesis extends previous research on dancer-centredness (Foster-Sproull, 2017; Knox, 2013) into the realm of a rehearsal process and examines complexities within the rehearsal director-dancer relationship through seven participant dancer experiences of rehearsal processes. This study contributes to growing scholarly research into the voice and the role of dancers and rehearsal directors.
dc.publisher ResearchSpace@Auckland en
dc.relation.ispartof Masters Thesis - University of Auckland en
dc.relation.isreferencedby UoA en
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm en
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/3.0/nz/
dc.title The Music Stopped. Dancers, Rehearsal Directors, and the Rehearsal Process
dc.type Thesis en
thesis.degree.discipline Dance Studies
thesis.degree.grantor The University of Auckland en
thesis.degree.level Masters en
dc.date.updated 2021-11-02T02:46:36Z
dc.rights.holder Copyright: the author en
dc.rights.accessrights http://purl.org/eprint/accessRights/OpenAccess en


Files in this item

Find Full text

This item appears in the following Collection(s)

Show simple item record

Share

Search ResearchSpace


Browse

Statistics