Recomposing Memory’s Fragments: The Sacred Precinct in Gustavo Adolfo Bécquer’s "Historia de los templos de España" (1857) and "Cartas desde mi celda" (1864).

dc.contributor.author	Alfante, Azariah
dc.date.accessioned	2022-05-26T21:43:51Z
dc.date.available	2022-05-26T21:43:51Z
dc.date.issued	2022
dc.identifier.citation	(2022). DECIMONÓNICA, 19(1), 1-1.
dc.identifier.issn	1554-6535
dc.identifier.uri	https://hdl.handle.net/2292/59515
dc.relation.ispartofseries	Decimonónica: Revista de Producción Cultural Hispánica Decimonónica
dc.rights	Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.
dc.rights.uri	https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm
dc.title	Recomposing Memory’s Fragments: The Sacred Precinct in Gustavo Adolfo Bécquer’s "Historia de los templos de España" (1857) and "Cartas desde mi celda" (1864).
dc.type	Journal Article
pubs.issue	1
pubs.begin-page	1
pubs.volume	19
dc.date.updated	2022-04-10T21:59:56Z
dc.rights.holder	Copyright: The author	en
pubs.author-url	http://www.decimononica.org/alfante-19-1/
pubs.end-page	1
dc.rights.accessrights	http://purl.org/eprint/accessRights/RestrictedAccess	en
pubs.subtype	Article
pubs.elements-id	894279
pubs.org-id	Arts
pubs.org-id	Cultures, Languages & Linguist
pubs.record-created-at-source-date	2022-04-11

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