Recomposing Memory’s Fragments: The Sacred Precinct in Gustavo Adolfo Bécquer’s "Historia de los templos de España" (1857) and "Cartas desde mi celda" (1864).

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dc.contributor.author Alfante, Azariah
dc.date.accessioned 2022-05-26T21:43:51Z
dc.date.available 2022-05-26T21:43:51Z
dc.date.issued 2022
dc.identifier.citation (2022). DECIMONÓNICA, 19(1), 1-1.
dc.identifier.issn 1554-6535
dc.identifier.uri https://hdl.handle.net/2292/59515
dc.relation.ispartofseries Decimonónica: Revista de Producción Cultural Hispánica Decimonónica
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm
dc.title Recomposing Memory’s Fragments: The Sacred Precinct in Gustavo Adolfo Bécquer’s "Historia de los templos de España" (1857) and "Cartas desde mi celda" (1864).
dc.type Journal Article
pubs.issue 1
pubs.begin-page 1
pubs.volume 19
dc.date.updated 2022-04-10T21:59:56Z
dc.rights.holder Copyright: The author en
pubs.author-url http://www.decimononica.org/alfante-19-1/
pubs.end-page 1
dc.rights.accessrights http://purl.org/eprint/accessRights/RetrictedAccess en
pubs.subtype Article
pubs.elements-id 894279
pubs.org-id Arts
pubs.org-id Cultures, Languages & Linguist
pubs.record-created-at-source-date 2022-04-11


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