dc.contributor.author |
Holmes, Lucille |
|
dc.date.accessioned |
2022-07-12T23:18:10Z |
|
dc.date.available |
2022-07-12T23:18:10Z |
|
dc.date.issued |
2020-03-10 |
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dc.identifier.citation |
(2020). European Review, 28(4), 636-647. |
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dc.identifier.issn |
1062-7987 |
|
dc.identifier.uri |
https://hdl.handle.net/2292/60378 |
|
dc.description.abstract |
<jats:p>It is well known that academic research which includes human participants undergoes an ethical review which, in many countries today, includes all academic disciplines and not only medical science. But what about those disciplines with the least experience of ethical codes for research, such as the visual and performing arts? How are they defined and positioned in ethical codes and guidelines that are intended to apply to all disciplines? What are the challenges to ethical frameworks which aim to be inclusive of the visual and performing arts? This article examines the European Commission-funded SATORI project (Stakeholders Acting Together On the ethical impact assessment of Research and Innovation) in its aim to produce the first comprehensive, international standard for the ethical assessment of research in all fields including the arts.</jats:p> |
|
dc.language |
en |
|
dc.publisher |
Cambridge University Press (CUP) |
|
dc.relation.ispartofseries |
European Review |
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dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
|
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
|
dc.subject |
8.3 Policy, ethics, and research governance |
|
dc.subject |
8 Health and social care services research |
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dc.subject |
4 Quality Education |
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dc.subject |
Social Sciences |
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dc.subject |
Area Studies |
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dc.title |
Artistic Research in the SATORI Common Ethical Framework |
|
dc.type |
Journal Article |
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dc.identifier.doi |
10.1017/s1062798720000125 |
|
pubs.issue |
4 |
|
pubs.begin-page |
636 |
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pubs.volume |
28 |
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dc.date.updated |
2022-06-07T00:55:12Z |
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dc.rights.holder |
Copyright: The author |
en |
pubs.author-url |
http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000547264200008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=6e41486220adb198d0efde5a3b153e7d |
|
pubs.end-page |
647 |
|
pubs.publication-status |
Published |
|
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.subtype |
Article |
|
pubs.subtype |
Journal |
|
pubs.elements-id |
796934 |
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pubs.org-id |
Creative Arts and Industries |
|
pubs.org-id |
Fine Arts |
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dc.identifier.eissn |
1474-0575 |
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pubs.number |
PII S1062798720000125 |
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pubs.record-created-at-source-date |
2022-06-07 |
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pubs.online-publication-date |
2020-08 |
|