Abstract:
This thesis seeks to create transient architecture using origami pleating and
folding techniques, exploring materials that enable geometric folded form
to bestride softness and rigidity. It investigates how the kinetics of these
pleated elements can be utilised to create continuously evolving architecture
through model making. By doing so, this thesis aims to concurrently reveal
a metamorphosis of atmosphere centring on the haptic senses. It asks: How
might the process of model making reveal unanticipated ways to harness
the kinetic, structural, and haptic potentials of pleats to create architecture
and enhance its social experience?
The purpose of this movement is explored in two ways. One responds
to nature’s shifting elements; sun, wind, and rain act as the catalyst for
transformation, allowing for manipulation of light and shadow or protection/
exposure to the elements. The second responds to people; occupant
movement through space instigates architectural transformation to create
intimacy or an unfolding of public space, or changing needs prompt
assemblage of momentary structure. The tactility and fluidity of these
geometries are explored in various materials, including textiles, with
architectural translation and structural potential subsequently tested.
Design investigation is carried out via iterative making of pleated models and
forms throughout four stages. Auckland Art Gallery Toi O Tamaki is used to
implement design interventions Frame and Frameless, employing pleats and
folds to create interactive architecture that morphs, grows, and contracts
or assembles and disassembles in response to needs over time. Each
proposition demonstrates the bounds of this architectural method; frame
constraints untether movement restrictions, whereas frameless construction
limits movement capacity.
The model output throughout this thesis reinforces the value of making to
explore and communicate thought whilst utilising the ambiguity of unfinished
models to further design development. Within each phase, model making
has uncovered the breadth of possibilities of the pleated surface and its
ability to enhance atmosphere, generate drastic movement or shimmering
restraint, embellish structure and self-support. It is not the outcome but the
process of pleating and folding that is critical to generating atmosphere and
personal connection to the architecture we occupy.