Abstract:
This thesis explores the notion of peripheral. Peripheral within the context of this thesis refers to a sphere of the overlooked; what commonly goes unnoticed or acknowledged, the quotidian, subjects situated at the edge of focus. Architecturally, peripheral references overlooked sites; a collection of quotidian and non-spaces in conjunction with the unfocused peripheral vision within perception.
Existing as a tedious residue or a sphere of overlooked ordinariness, beneath notice; neglect of the peripheral contributes to the monotony of the everyday, further perpetuating an alienating condition within contemporary architectural and urban settings. Drawing from relevant architectural precedents and film as points of reference this thesis explores architecture as a perceptual device, presenting a design intervention in the form of a hotel – an exploration of how architecture can reframe the peripheral to create moments of new perception. Moments to provoke thought, addressing experiences of isolation and monotony within the everyday.
Engaging in practices of model making, collage/montage, and moving image, elements of the familiar are arranged and rearranged to explore spatial and perceptual elements of peripherality. Conceived as a collection of overlooked moments, fleeting impressions and disparate narratives The Hotel is curated to induce peripatetic vision, a sense of flaneur providing opportunity to re-examine the overlooked. In adopting a filmic lens and implementing tactically structured spaces this thesis (re)frames the overlooked as a point of focus, a sphere which impacts our perception and existence. The cinematic and architectural output of this thesis showcases architecture as a perceptual device capable of offering perspective of ourselves in relation to the endless tedium of the everyday. Demonstrating architecture’s ability as a mediator to influence our perception of the world.
