Traditional Content and Narrative Structure in the Hindi Commercial Cinema

Abstract

Abstract. The commercial Hindi cinema has been subjected to foreign and domestic criticism for its exceptionally formulaic and stereotypical features. These features, however, have their sources in the oral and written epics and from the popular dramatic genres of traditional Indian culture. From the devotional ritual (mangalacharan) that frames the beginning of many films, to the conclusions that reflect socially acceptable resolutions based on traditional story types, content borrowed from the Ramayana, the Mahabharata, or other pan-Indian tales, can and frequently does enlarge and reinterpret the characters and plots of the commercial cinema. The disconcerting emotional melange presented by Hindi films is consistent with aesthetic theories of emotional content that have dominated Indian narrative since at least 400 A.D. The stereotyping of characters and of interpersonal relationships reflects once again, on the importance of traditional Indian epic structure. Finally, the growing frequency of self-reflexive humour within this medium suggests the continuation of connections between contemporary Hindi cinema and the historically powerful traditions of Indian drama and narrative.