Playing and Being Played by the Drums

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dc.contributor.author Egbert, Matthew
dc.contributor.editor Iizuka, Hiro
dc.contributor.editor Suzuki, Keisuke
dc.contributor.editor Uno, Ryoko
dc.contributor.editor Damiano, Luisa
dc.contributor.editor Spychala, Nadine
dc.contributor.editor Aguilera, Miguel
dc.contributor.editor Izquierdo, Eduardo
dc.contributor.editor Suzuki, Reiji
dc.contributor.editor Baltieri, Manuel
dc.coverage.spatial Sapporo, Japan
dc.date.accessioned 2023-09-15T00:22:29Z
dc.date.available 2023-09-15T00:22:29Z
dc.date.issued 2023-07-24
dc.identifier.citation (2023, July 24-28). [Conference item]. 2023 Artificial Life Conference, Sapporo, Japan.
dc.identifier.uri https://hdl.handle.net/2292/65865
dc.description.abstract The metaphors that we choose to describe living and cognitive systems influence how we study them. Similarly, the behaviours that we choose as examples of intelligence or adaptivity influence the models we build and the ways we conceive of and study cognition. Over the course of history, humanity has embraced a variety of metaphors for minds and how they work. The dominant metaphor at the moment compares minds to computers. I would like to consider an alternative metaphor. Instead of thinking about brains as computers, and instead of thinking about cognition as problem-solving, what emerges when we compare mind (and life) to improvisational performance? This abstract uses improvisational drumming as a specific example to elaborate upon key aspects of enactivist and A-Life related perspectives of cognition. I suggest that (i) by recognising how improvised performances define their own norms as they develop, we can come to better understand how living and thinking systems might also define their own dynamic norms; (ii) by understanding what is lost when an acoustic drumset is replaced by one that is electronic, we can derive insight into what is missed when the body and the environment are left out of our descriptions of intelligent adaptive behaviour; and (iii) by recognising the diverse factors that determine the form of an improvised collaborative performance, we can better recognise the similarly diverse factors that sculpt the norms, behaviours and other features of an individual.
dc.relation.ispartof 2023 Artificial Life Conference
dc.relation.ispartofseries ALIFE 2023: Ghost in the Machine: Proceedings of the 2023 Artificial Life Conference
dc.rights Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher.
dc.rights.uri https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm
dc.rights.uri https://creativecommons.org/licenses/by/4.0/
dc.title Playing and Being Played by the Drums
dc.type Conference Item
dc.identifier.doi 10.1162/isal_a_00704
dc.date.updated 2023-08-12T21:33:59Z
dc.rights.holder Copyright: Massachusetts Institute of Technology en
pubs.author-url https://direct.mit.edu/isal/proceedings/isal/35/132/116918
pubs.finish-date 2023-07-28
pubs.start-date 2023-07-24
dc.rights.accessrights http://purl.org/eprint/accessRights/OpenAccess en
pubs.subtype Proceedings
pubs.elements-id 975998
pubs.org-id Science
pubs.org-id School of Computer Science
pubs.record-created-at-source-date 2023-08-13
pubs.online-publication-date 2023-07-24


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