dc.contributor.author |
Taylor, Imogen |
|
dc.contributor.author |
Wynne-Jones, Victoria |
|
dc.contributor.editor |
Ingram, S |
|
dc.contributor.editor |
Minssale, G |
|
dc.contributor.editor |
Vercoe, C |
|
dc.contributor.editor |
Wynne-Jones, V |
|
dc.date.accessioned |
2024-04-03T23:19:20Z |
|
dc.date.available |
2024-04-03T23:19:20Z |
|
dc.date.issued |
2022 |
|
dc.identifier.citation |
(2022). In The Dialogics of Contemporary Art: Painting Politics ( pp. 158-167). Kerber Verlag. |
|
dc.identifier.isbn |
978-3-7356-0832-1 |
|
dc.identifier.uri |
https://hdl.handle.net/2292/67948 |
|
dc.publisher |
Kerber Verlag |
|
dc.relation.ispartof |
The Dialogics of Contemporary Art: Painting Politics |
|
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
|
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
|
dc.title |
Split peaches are pretty obvious! |
|
dc.type |
Book Item |
|
pubs.begin-page |
158 |
|
dc.date.updated |
2024-03-05T03:01:12Z |
|
dc.rights.holder |
Copyright: The authors |
en |
pubs.edition |
1st |
|
pubs.end-page |
167 |
|
pubs.place-of-publication |
Bielefeld |
|
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RetrictedAccess |
en |
pubs.elements-id |
1015381 |
|
pubs.org-id |
Arts |
|
pubs.org-id |
Humanities |
|
pubs.record-created-at-source-date |
2024-03-05 |
|