Abstract:
This thesis investigates the potential for participation in the arts to make a positive
contribution to the mental wellbeing of young people in Aotearoa (New Zealand). I consider
what fresh insights and approaches the arts might offer to address a national crisis of poor
youth mental health. Current approaches to address this challenge are widely reported to be
inaccessible, disempowering and misaligned with conceptualisations of wellbeing in
Aotearoa’s unique bi-cultural context.
A diverse and innovative body of arts practice has emerged internationally and is
making a distinct contribution to mental wellbeing, often in unique, empowering,
developmentally attuned and culturally responsive ways. Compared to this international
picture, the relationship between the arts, health and wellbeing has historically been the
subject of limited attention in Aotearoa. Whilst excellent and highly original practice exists, in
the absence of national leadership, policy, and investment, the potential of arts and wellbeing
remains under-recognised and unrealised.
This thesis sets out to identify impactful practices for the Aotearoa context. Through a
participatory action research process focused on a qualitative case study involving “Project
X” participants, staff and partner organisations, I constructed a theory of change (ToC) that
identifies the critical practices, principles and conditions that enable effective practice in
Project X.
I then conducted an extensive interdisciplinary literature review to explore alignment
between the case study ToC and international perspectives, research and evidence. This
generated a principle-based practice ‘framework’ grounded in multiple knowledges: the
perspectives of young people, arts, health, and education practitioners, alongside research,
evidence and mātauranga Māori. I offer this contextually attuned ‘framework’ to inform
practice in Aotearoa, whilst also offering new insights which address challenges for the field
of arts, health and wellbeing at an international level.