dc.contributor.advisor |
Treadwell, Jeremy |
|
dc.contributor.author |
Gancheva, Victoria |
|
dc.date.accessioned |
2024-06-30T22:14:50Z |
|
dc.date.available |
2024-06-30T22:14:50Z |
|
dc.date.issued |
2023 |
en |
dc.identifier.uri |
https://hdl.handle.net/2292/68923 |
|
dc.description.abstract |
At the intersection of architectural representation and dramaturgy lies a
rich web of practitioners with an interest in experimental mapping. From
the second half of the 20th century, there have emerged a variety of such
alternative mapping movements which critique the limitations of distancedominated Western cartography, instead emphasising more intangible
experience-based facets of landscape. Past is Prologue: A Scenographic
Cartography of ‘The Tempest’ unfolds over five acts. It draws on deep
mapping—and other experimental mapping by Western cartographers—to
map William Shakespeare’s The Tempest. The research is also positioned in
relation to maps made by indigenous cartographers in the Pacific region. The
role of the cartographer is taken to be analogous to that of the dramaturg,
and mapping is used as a creative design practice and a dramaturgical tool.
Layering and its permutations—overlaying, superimposition, reflection—are
employed as the main productive operations. By using the First Folio as
fictional ‘site’ and remaining speculative, the project probes at the fantastical
quality of islands in the Western colonial imagination.
This project consists of a series of four maps, developed through a hybrid
process of architectural and theatrical making. The maps employ narrative
time as a key dimension of their respective mapping fields. Each iteration
shifts the spatiotemporal narrative focus from the play’s original protagonist,
the magician Prospero, to the indentured indigenous spirit Ariel. This research
also extends into theatrical precedents, and delves into the idea of projection
as inhabited drawing. The titular ‘Scenographic Cartography’ is a multimedia
mapping installation wherein the cartographer, performing as Ariel, enters
and assembles her narrative. Finishing with an open-ended provocation, this
research reflects on maps as performing, dynamic entities. It does not seek
a resolved architectural conclusion but, rather, revels in its interdisciplinary
discoveries. |
|
dc.publisher |
ResearchSpace@Auckland |
en |
dc.relation.ispartof |
Masters Thesis - University of Auckland |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. |
|
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-sa/3.0/nz/ |
|
dc.title |
Past is Prologue: A Scenographic Cartography of 'The Tempest' |
|
dc.type |
Thesis |
en |
thesis.degree.discipline |
Architecture |
|
thesis.degree.grantor |
The University of Auckland |
en |
thesis.degree.level |
Masters |
en |
dc.date.updated |
2024-06-29T03:33:06Z |
|
dc.rights.holder |
Copyright: the author |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/OpenAccess |
en |