dc.contributor.author |
Brown, Carol |
en |
dc.contributor.author |
Ramsgard-Thomsen, M |
en |
dc.contributor.editor |
Hannah, D |
en |
dc.contributor.editor |
Harslof, O |
en |
dc.date.accessioned |
2011-11-18T02:21:15Z |
en |
dc.date.issued |
2008 |
en |
dc.identifier.citation |
In Performance Design. Editors: Hannah D, Harslof O. 1st edition: 228-246. Museum Tusculanum, Copenhagen 2008 |
en |
dc.identifier.isbn |
9788763507844 |
en |
dc.identifier.uri |
http://hdl.handle.net/2292/9431 |
en |
dc.description.abstract |
Could dancing a drawing be a way to create an ephemeral space? If drawing is a core tool of architectural imagination, how can we find ways of thinking drawing as that which is formed through movement? |
en |
dc.description.uri |
http://librarysearch.auckland.ac.nz/UOA2_A:Combined_Local:uoa_alma21184101070002091 |
en |
dc.publisher |
Museum Tusculanum |
en |
dc.relation.ispartof |
Performance Design |
en |
dc.rights |
Items in ResearchSpace are protected by copyright, with all rights reserved, unless otherwise indicated. Previously published items are made available in accordance with the copyright policy of the publisher. |
en |
dc.rights.uri |
https://researchspace.auckland.ac.nz/docs/uoa-docs/rights.htm |
en |
dc.title |
Dancing-Drawing Fields of Presence in SeaUnSea |
en |
dc.type |
Book Item |
en |
pubs.begin-page |
228 |
en |
dc.rights.holder |
Copyright: Museum Tusculanum |
en |
pubs.edition |
1st edition |
en |
pubs.end-page |
246 |
en |
pubs.place-of-publication |
Copenhagen |
en |
dc.rights.accessrights |
http://purl.org/eprint/accessRights/RestrictedAccess |
en |
pubs.elements-id |
88728 |
en |
pubs.record-created-at-source-date |
2010-09-01 |
en |