Abstract:
The development of emerging technologies such as artificial intelligence and virtual reality generate
narratives of apprehension within contemporary Western technoculture. Transhumanist narratives
declare that humanity is now upon the brink of seizing technological control of its own evolution,
and creating a brighter and better posthuman future. For many, this leads to human technological
capability being seen with both a sense of wonder at its potential, and a sense of dread of that same
potential. Theologically, this raises two key questions: Firstly, why are human beings
technological? Secondly, how should human technological agency be pursued?
In this thesis, the motif of the imago Dei, the theological assertion that human beings are somehow
made in the image and likeness of God, is employed to explore technological narratives of
apprehension, and to answer these key questions. It is argued that the imago Dei, interpreted
through the metaphor of the created co-creator, provides significant insight into the question of
human technological inclination.
The created co-creator, as a metaphor of hybridity, also intersects with similar transhumanist
visions of the hybrid or cyborg, where the boundary between human persons and technology is
ambiguous. Such visions of the hybrid prove disconcerting, for they blur traditional categories used
to organise the world. Moreover, such visions also comprise elements of technological eschatology
that provide meaning and hope, and stand in possible conflict with theological equivalents.
The thesis concludes by considering how the metaphor of the created co-creator can draw upon the
richness of the Christian traditions of social concern and hybridity to engender narratives of hope.
These new narratives enlarge upon the theological understanding of human technological creativity
and purpose to supplement the narratives of apprehension. In doing so, they provide impetus for
wholesome and hopeful technological agency.