Natural Forced-Based Evocative Architecture: How Might a Force-Based Approach Inform an Evocative Architecture

Abstract

Throughout the evolution of architecture, the meaning of architecture has continually shifted as humanity has grown. The first instances of architecture were used as shelter for protection required for survival in harsh and unstable natural weathering. Buildings had a specific purpose for those who used them, and this created an intimate connection with the people. Today, the emotional connection between human and architectural design has been lost due to the large scale commercialisation of buildings. Many buildings are constructed with the intention of making profit, rather than being constructed for the people. This leads to an absence of emotion between the user and the architecture.1 Home is an instance of architecture that evokes emotion in the user. There is an emotional connection between a person and their home. ‘Home’ itself is a broad concept that cannot be defined by the size, value, style of the architecture in which a person resides in. Home to a person is where they feel at ease, where they feel safe and should be a space that can draw out a sense of liberty from its occupant. Home is not necessarily the place that you and your family live in; anywhere could be called home, as a home is defined by the emotions that are being evoked by architecture. Emotional responses in human beings have both a personal and universal component. The universal element is seen in human interaction with nature. In a natural environment, there is no wrong. It is something that is universally recognised as beautiful and induces a sense of freedom. Everything works cohesively, and this has a positive mental effect on the viewer.3 This thesis focuses on the effects of bringing a natural quality to design, to replicate the emotion evoked by natural beauty and to remind us of a state in which there is no prejudice. It explores the use of specific natural forces, such as wind and waves, to create structures and shapes and how these structures can lead to a common sensation in all viewers. The aim of this thesis is to use natural forces to create a typology of architecture that gives a sense of freedom and security, where people can retreat to reflect and search for answers.